So much has happened in the last two months! And one of those things was the installation of Tree Heart Art in the trees on Lincoln Avenue in Calistoga.

To everyone who helped put up the hearts: Jamie Deichen and her daughter Maggie, Anna Johansson, Mary Sherman, James Scanlan, and Heidi Ticen; to Elizabeth Stokkebye and Linda Williamson, who took photos; to Michael Easterday, who came by to lend moral support; and to Anne Ward Ernst of the Weekly Calistogan, who took photos and interviewed folks, thank you so very much!

And to all of folks who helped create the hearts, cut them out, add quotations, laminate them so they could be outside, and bead them together — whom I've dubbed the Calistoga Hearts Collective — my thanks to you!

My original thoughts about the Tree Heart Art was that they might catch the eyes of passers-by on the sidewalk, who might look a little closer, and perhaps smile, perhaps be delighted. And perhaps, in some little way, through the power of art — even in the form of little hearts on trees — we could inspire love in the viewers' hearts.

Several weeks ago, I spoke before the Calistoga City Council about the project, sharing my designs, including the one above for City Hall (don't we have a City Hall with a lot of character?). I had spoken with our mayor, Chris Canning, in early December, and he gave me some great advice, including making sure what I'm doing is in compliance with street and tree ordinances. The City Council referred me to Dylan Feik, our City Manager, who is checking everything to ensure that. They've all been very supportive, and like the idea, for which I'm very thankful!

Hearts on the trees downtown, on Lincoln Avenue, Calistoga's main street, come first, though. All those hearts we've been making are going to be assembled into art pieces something like you see in the sketch above. Each tree will have its own art piece.  That's over fifty trees — so, you see, it's a big job!

Wouldn't it be nice to have hearts on the fence outside the Napa County Fairgrounds in Calistoga, in front of the Calistoga Art Center, too? I don't yet know if I'll be able to fund something as elaborate as this sketch above, but it's definitely something to aim for.

Each part of the project will go up in stages, as it will take some time to create them, and then install them. And there are more designs, for additional places in town, too. But when they're done — wow! Calistoga is definitely a town with a lot of heart. These will make it visible!

After our first Make-a-Heart Day at the Calistoga Art Center, I came back the next day for more work. And what would that be? Making more painted art papers to become hearts, for one, as you see above. I also collected the art papers created the day before, that had dried overnight, and pressed them flat (see how the corners curl as they dry?). 

There were small wooden hearts to paint (two coats) as well — this is only the front side; the sides and back remained to be done later. And there was everything to clean up and put away! My thanks, again, to the Calistoga Art Center, for their support and for allowing me to hold these Make-a-Heart events and do all the work it takes to put these installations together! It was a little quieter there during the holidays and during January's storms, which helped enable me to do this.

On the first Saturday in January, fourteen friends, family, artists, and art-lovers joined me at the Calistoga Art Center to make hearts for the art installation in downtown Calistoga. (And another friend and artist who couldn't stay dropped in to say hi and see how we were doing.)

We painted art papers and cut hearts out of painted and printed papers all morning and into the afternoon.

Everyone came from near and far, from Calistoga, St. Helena, Napa, Santa Rosa, and Rohnert Park, to make hearts so we can all spread love and kindness a little further.

I so appreciate every one who joined me for this day! 

My thanks to Laurie Grimes Ballentine, Roxanne Bell, Pat Branstetter, Kathy Coldiron, Kathleen Edson, Melisa Dooley, Ashley Duncan, Linnea Hall-Kennedy, Pam Jackson,  Melisa’s friend, Linda Peirce, Lexi Reed, and Heidi and Michael Ticen, whose help, creativity, and positive energy and support for this project is invaluable!

When my family gathered after Christmas at my mother's home, I gave each person hearts to draw on, so that they could write their message of love to the world, and those messages would be part of the heart art installations in Calistoga. They drew with colored pencils and crayons and markers, and each created  one or two hearts for the installations. I’m glad they'll be a part of this!

In Santa Rosa in December, I was driving by the downtown library, and stopped to pay a visit to Downtown Charlie Brown, whom I created for Peanuts on Parade: A Tribute to Charles M. Schulz, a public art project honoring the cartoonist whose work delighted me as both a child and an adult. (You can scroll down to see one of my Joe Cool statues, done a couple of years later, whom I visited another time).

I created Charlie in 2005 for the Courthouse Square Association, now part of the Downtown Association. He spent his first summer outside Sawyer’s News, then a couple of years at Courthouse Square, and has lived since then at the downtown library in Santa Rosa.

All around his shirt are buildings based on the architecture of buildings around and near Courthouse Square, inhabited by the Peanuts characters, dancing, having root beer, reading, getting lunch, making art, walking and talking, playing the piano — all straight out of the comic strip.

At the end of the week, I was the last artist still finishing my statue. I’d worked and slept all night locked up in that warehouse, just me and all the Charlie statues. In the morning, Craig Schulz, Charles Schulz’s son, came in and walked over to see how I was coming along. When he got to the back of the statue, he stopped, pointed at a character who was getting lunch at a deli with Charlie Brown, and exclaimed in surprise, “Where did you get that picture of the Little Red-haired Girl?”

I told him she was a character named Peggy Jean. He looked back at the statue, and said, thoughtfully, that there were some characters who would appear for a few weeks and then never be seen again. And she was exactly what the Red-haired Girl looked like.

I’d never seen the Little Red-haired Girl. She’d appeared briefly only once, at the end of a Valentine Day TV special, Craig told me, and I hadn’t seen it. I had underpainted that part of the statue orangey-red, but I was just about to paint her hair in blonde. Craig stopped me just in time.

In an interview I had seen that he gave close to the end of his life, Charles Schulz said that he regretted that Charlie never got to kick the football, and he never got to talk to the Little Red-Haired Girl. All week I had the sense that he was watching all of us artists and smiling. And here the Little Red-haired Girl had shown up to meet Charlie Brown on the statue without my knowing it.... So love won out! It was a little art miracle. Art can do things like that sometimes.

A lot of what goes into artwork may seem pretty mundane, but it’s necessary if you want to make art. If I want to use painted wood in some of the installations, I need to paint that wood — and sanding and priming comes first. If I want painted hearts on paper, I need to prepare that paper.

So, over a number of days, I primed wood scraps from Wine Country Cases in St. Helena (my thanks to them!) and painted art papers that will become part of the installations. You have to begin somewhere — and the best way to get it done is by taking one step at a time.

I was able to set everything out on tables at the Calistoga Art Center over a several-day period during the holidays, when things were quiet. (My heartfelt thanks — pun intended — to them for letting me do this!) That way I could work on this in assembly-line fashion.

I set out the wood scraps, and worked my way down the tables, priming the tops of each one. By the time I got to the end of the tables, the ones at the other end were ready for their second coat. Then, after some time to cure, I could repeat the process on the other side. 

Part of this process was also a process of elimination — I was trying out different materials to see how they'd work. As much as I liked the small wooden hearts, I'm rethinking how I will use them. 

Finally, everything was dry enough to get packed up and moved, so I could clear off the tables in the art center for classes again. There's still plenty more to do, though!

Some of my first designs included small-to-medium size sculpted hearts, so I spent hours in December making fifty of them. The repetition becomes meditative, and the fact that I was creating hearts to spread love had a beautiful meaning for me.

They are not completed — they need to be covered with a special papier-mâché covering that would allow them to be outside, and then they need to be painted and coated with a protective coating.

Later I rethought my designs. Originally, these were intended to be part of my installations in downtown Calistoga, but now I’m rethinking them. Maybe they should be part of a larger sculpture? Or maybe for indoors? I’m not sure now, but I know something interesting will come of them.

Creating designs for each installation of the project began, for me, with each location — each location has different needs. One of those locations is the Napa Valley sign just south of Calistoga.

I stopped to take a closer look and photograph it one day in December, between rainstorms. I needed also to check out, measure, and count the fenceposts that surround it, since each fencepost will be topped by a heart — and there will be another heart on the fence in between each pair of posts. It was a beautiful day. And it’s a lot of fenceposts — at least 51, when you add the ones directly across the road!

I’m looking forward to working with Kari Martin, program director and art director for the Boys and Girls Club in St. Helena, and the children in her program, on Hearts Across the Valley in St. Helena. And I was honored when she asked me to help with the judging for the club arts awards this year (I did a couple of years ago, too). We looked at the artwork in each category, talked about the criteria, and I made decisions carefully and thoughtfully.

Then I returned the following Monday, to see the show, and to watch the children come see it, too.

The children’s drawings, paintings, and collages will go on to regional and national competition, so the judge’s choices can have wider ramifications than purely local recognition. I loved seeing the children’s curiosity as they looked at each piece of art, and their happiness and excitement about the awards.

A number of children made sure all their friends and family saw their award-winning pieces. Their pride and joy was priceless.

Kari has put together an amazing program here. Last year she was recognized with a first place award from the national Boys and Girls Club organization for the best art program in the nation! Her creativity, commitment, and caring for the children is evident in everything she does.

I'll be coming back soon and working with Kari and the children on Hearts Across the Valley. I'll be working with St. Helena Elementary School too, right next door. This is going to be a fun project!